A Secret Return to Hill Valley

Doc and Marty stand in front of the London crowd as the DeLorean carrying Einstein zooms by in time with the film. (Courtesy Secret Cinema)

Now that the "secret" is out and the final performance has sent Marty home, I wanted to recount my amazing Secret Cinema experience in London for their incredible Back to the Future screening. While the event seems to have gotten a lot of press for the troubles that it had in its first few weeks, it doesn't seem like many are talking about what an amazing and incredible experience the event actually was.

Built on the former Olympic Park site, a lovingly recreated Hill Valley Courthouse square contains some of the most iconic buildings from the films that you could walk around and explore. Lou's Diner offered spiked chocolate milkshakes and a "Tab" which was a coffee liquor, vodka and Coke based alcoholic beverage. The Enchantment Under the Sea dance was in full swing inside the Hill Valley High School facade.

Hill Valley High School lovingly recreated on the Olympic Park (courtesy of the Independent.co.uk)

But the best part of the experience were the cast actors that roamed around in-character. Principal Strickland yelled at me for walking outside of the school halls and not having a pass. Future Mayor Goldie Wilson came up to me and thanked me for the advice to take night school classes in political sciences, and didn't skip a beat when I started interacting with him about taking some public speaking as well. More about Goldie in a moment.

The entire evening begins around 5pm as ticket holders are allowed admittance in waves. A check-in area out front of the Olympic Park starts the world building, much like when you're entering a new area of Disneyland. Hay bails and a farmland motif of the Twin Pines Ranch surround you as security guards check your bags and make you turn in your cell phones and cameras (one of the better parts of the experience as nobody is desperately trying to Instagram the entire experience, while also adding to the atmosphere that nobody is hunched over looking at their devices every five minutes).

The people of Hill Valley bustle about their business as everyone waits for the sun to set. (Courtesy of The Guardian)

As you walk in, you're encouraged to explore all that Hill Valley has to offer. You can enter the homes of mainstay characters like Biff Tannen and see the life that he lives with his grandma (and hear a very familiar sounding football game playing on the radio, which Biff may or may not know the outcome). You can pop into the comic book shop where 1950s-era comics are on the racks and an enthusiastic actor is perched in the window wanting to regale you by reading every single panel of one of her favorite books. You can jump into Hill Valley High School and wander the halls, where they've meticulously created a row of lockers all adorned with love (or hate) notes. The pep squad is selling t-shirts and pennants to help you show your school spirit, while Marvin Berry (a DJ unfortunately) plays tunes from the 50s and 80s to the delight of swing dancers and others looking to feel the music. 

We stuck to Lou's Diner as it looked like it would provide the best view of the screening and the entire square - plus, it's where the beer was to be had. As the night goes on, moments from the film slowly unfold in chronological order around you. George McFly comes in to sit at the counter and sure enough, Biff and his goons walk in to torture the poor guy.

The Courthouse ready for the screening. (Courtesy of Daily Mail UK)

As the sun sets, a parade to celebrate the anniversary of Hill Valley's beloved clocktower is supposed to take place, with most of the reenact staff having recruited colorful ticketholders throughout the evening to help them on the parade route. Future Mayor Goldie Wilson had taken to my friend Abby, our gracious UK hosts and myself and had asked us to help him go outside to the parade and represent Lou's Diner. Unfortunately, with the London rain pouring down, he later came over and informed us that the parade was cancelled. We encouraged Goldie that if he's going to go into politics it's time to make a stand and parade cancellation be damned, we walked out and cheered and chanted with him to the front of the courthouse square. Goldie never broke character once as was good-natured enough to play along with us.

Once the sun is completely down, everyone begins to settle in for the outdoor screening of the original Back to the Future film, projected crisp and clear directly onto the five story life-sized courthouse and with giant rock concert worthy loudspeakers blaring the film's audio. But the surprises aren't over, as the film plays, the entire town of Hill Valley is still alive.

The giant-sized visage of your SPT curator in front of the closing moments of the (very rainy) screening.

I'm not that big of a fan of "live shadowcast performances" during films (it's no secret that I'm a grumpy old man when it comes to people miming in front of a perfectly good screen), but the performances that took place around the screening were incredible. Marty McFly first appeared on skateboard and jumped onto the back of a Jeep Wrangler for a tow around the circumference of the square, waving to the crowd as he passed by everyone. The DeLorean (a meticulous recreation of the car seen on-screen with exception of it being a European right-hand drive model - which required the blocking of all the live performance scenes to be a mirror image of what was being shown on screen) appears in a cloud of smoke in front of the Clocktower eliciting cheers from the crowd. The familiar blue VW van of the Libyans appears and chases the DeLorean all around you while the action unfolds on screen. And of course, the film's climax which takes place in front of the Courthouse is a highly choreographed pyrotechnics show where you're watching Doc Brown dangling from the dial of the Clocktower in real-life directly above the screen where he's dangling on the film... and you can imagine, he needs to zip-line down in both.

An aerial view of the Olympic Park and the recreated Hill Valley Courthouse Square. (Courtesy Huffington Post)

The whole evening felt like a once-in-a-lifetime experience that you most definitely had to be there to truly appreciate. It's such a great idea for a limited time event and to also to rejuvenate an area that might have vacant and unused space. The entire time, my friend Abby and I were lamenting that we wish that Los Angeles would do these types of events considering the resources available out here in terms of production design, costumes, actors, even the actual locations and sets... and funny enough, the LA Times just announced that Secret Cinema will be bringing the Back to the Future experience to LA some time soon. The crowds will most definitely be larger and the experience might not be the same, in fact I think that we lucked out quite a bit having attended a rainy day screening because we got more individualized attention and a little more breathing room than I'm sure many receive on the more crowded days.

But even if it's half the experience that it was the first time, it'll be one helluva ride.

Where in the World is Janine Melnitz?

Sorry Janine, guess that's what happens when you decide to date a Tully?

Ghostbusters is celebrating its thirtieth anniversary (a few months late, as the film was originally released in June of 1984). The film is enjoying a re-release in theaters having taken in over two million at the box office during the Labor Day weekend and a crispy new 4K transfer coming to Blu-ray on September 16th.

As part of the festivities, media coverage involving Ghostbusters has hit a fever pitch. One of the more interesting segments that has been released is a fun interview in front of the Hook & Ladder No. 8 in New York City with Janine Melnitz herself, Annie Potts. In the short video, the actor muses over where she believes the famed Ghostbusters secretary might be after thirty years. And her career success (or lack thereof) might surprise you.

Here's the video care of Vanity Fair: 

Posted on September 2, 2014 and filed under Movies.

Classic SPT: That Guy Who Dresses Like Me

Screen capture from an interview conducted for the "Back to School: Extra-Curricular Edition"

Here's an article that was lost in the transition over to the new Squarespace-hosted site, from note all that long ago: February 24, 2014 just after Harold Ramis' passing...

"Do you like the movie Groundhog Day?" Asked a flyer hanging up on a corkboard in the Loyola Marymount cinema building. Nothing more, just those words with an email address at the bottom of the flyer. The correct response of course is, who doesn’t?

But to a kid like me, who had grown up a fan… okay… let’s be honest, borderline obsessed with Ghostbusters and then eventually the more adult films in which Harold Ramis was instrumental, I had to respond to the flyer.

Unbeknownst to me, the flyer was outreach by Harold Ramis’ producing partner Trevor Albert who was on the hunt for a few good interns to make lunch runs, page check scripts, and write some coverage. While most Hollywood stories include being an intern for a violently angry executive of some sort, working for Trevor was one of the best experiences of my life. What I quickly learned from Trevor was to treat everyone warmly, do your best to not let the pressure crack your cool and calm demeanor, and that the nice guys actually can do well for themselves in this crazy city. Trevor had developed such a friendly way of work through his years working with Harold Ramis, who had moved back to Chicago and Trevor had set up his own production company in place of Ocean Pictures.

Several months into my internship, I had started manning Trevor’s assistant desk while the amazingly talented Peter Livolsi began his career at AFI. Calls were frequent, usually writers, executives, agents and managers, all walks of Hollywood life calling on a regular basis. Visitors would come in looking to talk to Trevor or for a meeting with he or his development exec Kym. 

One of those days, out of the blue - the visitor was Harold Ramis, stopping by his old offices while he was in town to say hi to Trevor and Kym. I was a starstruck mess, while he was patient with me. Keeping his trademark smile present at all times. Kym, knowing my fando— obsessions, broke the ice by introducing me to Harold:

"Oh, this is Troy. He dresses up like you for Halloween."

Harold laughed and without skipping a beat said, “Oh that’s funny, I dress up like me for Halloween too.”

The meeting was brief, I did my best to keep my shit together the whole time but it was one of those moments that sticks out in the several years that I had interned and assisted for Trevor. Sometimes when you meet your heroes, they aren’t the people that you expect them to be. But in this case, much as Trevor had taught me - Harold treated me warmly and was just a super nice guy.

Shortly after that, I had helped Harold and his team working on the Ice Harvest with a few things during their production, having spoken with Harold and his producers several times. Every single time everyone could not have been nicer.

Fast-forward a year or two later, where the pleasure of working with Trevor had led me to get into DVD behind the scenes documentaries, and I happened to be a part of the Back to School: Extra-Curricular release for Fox/MGM. On the slate of interviewees of course was co-writer Harold Ramis, who would talk about the film and talk about his relationship with Rodney Dangerfield.

Harold was on the CBS lot filming a pilot and agreed to take time out of his busy day to spend 45 minutes reminiscing about the film in front of the camera. We arrived a little early, got everything set up for Harold to arrive. When he did so, the interview was charming, warm, funny, he spoke of the experience and everyone that worked with him in a way that you hope people will some day speak of you. 

When the interview was over, we were small chatting and I mentioned to him that I had worked for Trevor a few years back. Harold’s eyebrows raised and he said that I had looked familiar, and with sudden recognition he said, “oh that’s right, the guy that dresses up like me.”

I heard the news of Harold’s passing this morning where I frequently hear a lot of news lately: sitting on the freeway stuck in traffic.

My phone, which sits on my dashboard was doing its best impression of a pager in the early-90s, buzzing in quick intervals every two seconds with texts and social network messages. In this new world of instant news through social media, I was skeptical that the news could be true. 

Sadly, it is. 

Animal House, SCTV, National Lampoon’s Vacation, Ghostbusters, Caddyshack, Meatballs, Stripes, Multiplicity, Bedazzled, Back to School, Groundhog Day, Analyze This, The Office… at some point, through his writing, directing, or acting, Harold Ramis has made you laugh. At some point he’s written such a sharp line of dialogue or delivered a joke with impeccable timing that nobody else could have ever done.

He’s one of those people that could easily have been a total jerk, could have easily been one of the most egomaniacal people that you would ever meet. But he wasn’t. He was warm, he was friendly, and the fact that he even pretended to remember me from a brief meeting in passing really made me feel special.

I can only hope to be half of the person that amazing people like Harold, and Trevor, and so many of the other incredibly nice guys are that you come across in this business.

The eight-year old in me mourns the loss of a larger than life Ghostbusting hero that was responsible for so much of my childhood. The 20-something in me mourns the loss of someone who made me laugh and gave me the ammunition of so much wit and wisdom to quote on a daily basis. The 30-something me sits typing this today mourning the loss of a true artist, appreciative of all that he did and the grace with which he did so.

I’m so saddened, yet so grateful simultaneously.

For more on Harold’s life, the Chicago Tribune has a touching story that everyone should read: http://www.chicagotribune.com/entertainment/chi-harold-ramis-dead-20140224,0,2259309.story

Posted on August 18, 2014 and filed under Movies.

IDW Ghostbusters On-Going (Volume 2) Issue 18 Review

Only two men are capable of making the curled lip look handsome, and Vigo the Carpathian probably isn't one of them... (Courtesy IDW Publishing)

Fritz Baugh returns with his look at the eighteenth installment of IDW's fantastic Ghostbusters on-going comic book series. Have you been reading? You should! Do it while you still can! Here's Fritz...

Well, since the last issue came out, we got a bit of a reprieve. The entire Ghostbusters creative team, joined by Tom Waltz, will follow up issue #36 (V2#20) with a four-issue crossover with the Teenage Mutant Ninja Turtles. And it's the IDW version of the Turtles, which are pretty faithful to the originals (Kevin Eastman helps write it, after all) and not those ass-ugly "Doctor Rockso" abominations (thanks for that one, Troy) Michael Bay is shoveling on us in the movie theaters right now. And Erik Burnham, on GBFans, hinted that the possibility of a Ghostbusters V3 is not dead;  that'd be neat, of course, but the franchise seems to have a troubled relationship with getting to the third version of something... I guess we'll see...

So where were we?  The Ghostbusters have been split into two groups:

Venkman, Ray, Winston, Janine, Mel, Jenny, Dani, Lou, and All The Rest, are on Hart Island dealing with Vigo the Butch.

Egon and Kylie, meanwhile, are back at GB Central dealing with Dana and Louis, who have been taken back over by Vuul and Zinz Clortho, the Terror Bird minions of Tiamat.

So, first to Venkman and company:

Ron tries to shoot Viggy, but Viggy just kind of laughs it off.  Winston tries the slime blower; again, nothing, but suddenly some glowy whitish tendrils start to grab the undead Carpathian despot.

Ray is missing all of it, by the way-- he's once more been sucked into another narcoleptic episode courtesy of Gozer. It's kind of a disturbing thought--what if it's been Gozer all long, all the way back to the first appearance of the John Belushi spirit guardian thirty-four issues ago?  Or has it been Tiamat all along?  Both ideas seem awfully plausible at this point.

Anyway, the white glowy things are spirits native to Hart Island. They take care of Vigo in return for being left in peace.  Later, when Ray wakes up, he expresses confusion about Vigo--the mood slime only worked last time because they had access to the receptacle of Vigo's spirit--the painting.  Which is about as close as we'll ever get to explaining why he was back there in the Video Game; that must have been an ugly surprise for the museum one day in 1990 or 1991 when their painting of four angels and a cherub turned back into The Sorrow of Moldavia.

Egon and Kylie, meanwhile, aren't having any luck dealing with Vuul and Zinz with the arm blasters (similar to the ones Winston used in "Tainted Love", the first appearance of the new Mrs. Zeddemore), only accomplishing the destruction of the monitor on the reception desk. Yeah, I thought it was funny when Kylie threatened to tell Janine he did that and Egon was all "Please don't." They can just blame it on the Terror Birds, I guess.

Anyway, to free Dana and Louis, Egon and Kylie resort to yet another patented Ghostbuster Risky Plan: tune the ghost traps to the difference in spiritual frequencies etc etc and try to suck the entities out of them. Sensibly, they try it on Zinz first, since Louis is the more expendable of the two-- it works, and a few minutes later Dana and Louis are back to normal (say it with me:  normal being a fairly relative term in this case) while Vuul and Zinz Clortho are on their way to a permanent roosting spot downstairs.

Speaking of the new Mrs. Zeddemore, Tiyah's having dinner with a friend of hers by the name of Kaz Gibbons, who seems to not be really happy for her friend. Kaz is in a wheel chair and, in the first panel she appears in, looks like she might be pregnant. I suspect Kaz is related to Bridget Gibbons from Sanctum of Slime, possibly her Mom, though the baby Kaz might be carrying right now wouldn't be old enough if the timelines work out the way we've been led to:  this being c.1996, and SOS taking place in 2010 or 2011, Bridget would have to have been an awfully early-blooming fourteen year old for that to work.  

The suspicions about Vigo not really being Vigo are only validated when the rest of the team gets back to GB Central-- sure enough, Vigo's still in the painting. Another piece of Tiamat's plan?  As Kylie says later in the issue, what happens when she gets bored with "screwing around" with them?  Good news, Kylie-- only two more issues left to possibly find out!

So next we get a pretty important scene:  Venkman and Dana alone.

There's always been a weird bit of schizophrenia in the franchise's treatment of Venkman and Dana's relationship. On the one hand, it's central to both movies, with Venkman winning Dana's affections, losing them, then winning them again five years later being a central part of his character arc.  On the other hand, mostly due to restrictions imposed by Columbia/Sony, Dana is never seen and rarely even mentioned anywhere else;  "Mass Hysteria"  is only the second time (after the 2004-2005 "Legion" miniseries by 88MPH) that Dana had a role in anything outside a movie or a movie adaptation. That lack of on-screen follow-up is why I can only think of Venkman and Dana as the franchise's "B" couple at best (and there have been times where I'd rank Eduardo and Kylie as more interesting).  

And I'm not sure what to make of the scene. The dialog basically tells us Venkman dumped her this time, not because he didn't care--because he clearly does-- but because he doesn't want Dana pulled into all the nonsense with the paparazzi. He makes a bit of a point, but on the whole...well, I guess this is about the best we can get with threading the needle of Venkman's character arc in the movies and pure licensor politics that have kept Dana away. The scene certainly lessens the "Venkman is a loser" factor, but I can't really call it totally satisfying.

So we end with Egon examining Ray in the colander, while Kylie and Winston speculate about Tiamat's plans and try to keep Louis shut up.  

Oh, and then Ray levitates, his eyes glow red, and he starts sparking like he was one of the Scoleri brothers.

This... is really, really not good.

(sigh)  And only two (or six) more to go