Seven Minutes of Star Wars: Rebels Released

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"You! The Empire is looking for editors to cut marketing clips. Don't give me that, 'I'm just a farmer selling fruit' nonsense. Man up for the Emperor!"

While many are reporting it as "the first seven minutes" of Star Wars: Rebels, what feels like an excerpt from the show has been released giving us our first extended look at the show in context. Or at least, I'm hoping it's not a direct lift of the first seven minutes. It still feels a little rough around the edges. What's with that strange title treatment placement/Rebel theme to the hard cut to black? Will this be the formula of every show, with a short 30-second cold open? Seems strange and hoping that's just result of it being a marketing clip.

The segment acts as a great introduction to Ezra and the planet of Lothal - where we're led to believe most of Star Wars: Rebels will be taking place. You definitely get a strong feeling of how the Empire will be portrayed as an imposing force on the people of the city, and how Ezra channels his inner Aladdin to find food to eat.

But the clip is a strange introduction to the rest of the cast who are limited to a few incidental pieces of dialog within the action sequence... "He's on your left!" "You better hope the big guy doesn't catch up to you!" "Look out!" It's great to see and hear the speeder bikes, which inherently make it feel like Star Wars, but it still feels a little sleepy. Hopefully it's a result of pilot syndrome and the series will pick up steam as it goes along (much as the Clone Wars did).

I might also be jaded having just watched the final episodes of Clone Wars Season Six on Netflix, and especially "Voices" and "Destiny" feel so much like integral parts of the Star Wars world that it's strange to be back in a weird grey area.

We'll see how this fits into the entirety of the episode in context when the show debuts in October (and hopefully Disney XD will finally be in high-definition on Dish Network by that time).

Take a look at the "first" (?) seven minutes of the pilot episode and let us know what you think?

In Stores Now: Marvel's Agents of S.H.I.E.L.D. Season One Declassified

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Marvel's Agents of S.H.I.E.L.D. Season One Declassified - published by Marvel - in all its glory.

I was sitting having lunch during a break on the set of Agents of S.H.I.E.L.D. with three of the amazing Marvel folks that work on the show, Megan Thomas Bradner, Samantha Thomas and Emma Fleischer. As often happens on a film set, the conversation turned existential and we started talking about things that we've always wanted to do in our lives.

As a kid growing up in Franktown, Colorado my only exposure to the behind the scenes of films and TV were the short segments on Entertainment Tonight, Scott Patrick's occasional Hollywood One-on-One show that aired at one in the morning on KUSA, and the amazing "Making Of" books that were readily available at the library. Lengthy love letters to films that poured over every detail, gave you glimpses at concept art, behind the scenes photos, deleted scenes, and storyboards that gave you a slice of what it was like to be a part of the production. I probably still hold the record for most times Alan Arnold's Once Upon a Galaxy: A Journal of the Making of Empire Strikes Back was checked out from the Parker Public Library. Don Shay and Jody Duncan's Making of Jurassic Park was a volume that read cover to cover more times than I could count on family road trips. I still guard a copy of Making Ghostbusters as if it were my birth certificate. And J.W. Rinzler's amazing Making Of books for the Star Wars trilogy as of late have been absolutely outstanding.

So, in that moment at lunch, I mentioned that I'd always wanted to write making of books like those I had grown up reading. I don't know where it came from. Like Ray Stantz says, "it just popped in there." But apparently those three amazing Marvel execs took note, and several weeks later they had vouched for me and helped me embark on my first adventure as a Making Of book author.

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My wife was kind enough to photograph me like Christmas morning when the final copy arrived via FedEx on 7/11/14.

In the introduction of the book, you'll read that I had the pleasure of chronicling one of the most welcoming and familial sets on which I've ever had the pleasure of working. One of the absolutely enduring things about some film sets is that a bond is created with those that work on the show and no matter what the challenges are, that warm kindness never fades. Long days and late nights didn't stop many from always greeting me with a smile and a handshake or a chuck on the shoulder. You often hear people speak of their sets feeling like a family, but this is one that it's the absolute truth.

What resulted with the book is a cool hybrid between an episode guide and analysis, behind the scenes, and a reference book that makes me immensely proud. My hope is that it gives fans old and new a background on the series' origins, some insight that helps them see the series through the writers room's eyes, and that it's something that can be read and re-read as many times as I tore through that Making of Jurassic Park book. Marvel always does such an incredible job with their Art Of books, that I can only hope this is a fitting companion to those awesome compilations.

In the Acknowledgements, there were far too many people to thank to list. The amazing editors that were patient and kind probably would have flogged me for trying. Those that championed for me, that helped me out by sending me photos and information, who spent huge chunks of time in the middle of trying to finish out the tail end of a whirlwind first season's worth of episodes to sit down and conduct interviews for the book with me. Here's just a handful of those names of people who I owe an enormous debt to for so many reasons, and whose book this truly is regardless of who it says wrote it (and apologies to any that I've left out still):

Sabrina Arnold, Scott Bauer, Jeffrey Bell, John Bernstein, Thomas Boucher, Megan Thomas Bradner, Garry A. Brown, Sarah Brunstad, Katie Carroll, "Chewie", Marc Christie, Gary D'Amico, D.J. Doyle, Allen Easton, Sarah Halley Finn, Emma Fleischer, Brent Fletcher, Ann Foley, Blair Foord, Shalisha Francis, Kenn Fuller, Tanner Gill, Tamara Hunter, Kyle Jewell, Rafe Judkins, George Kitson, Mark Kolpack, Harmony Kummer, Brian Kwan, Lauren LeFranc, Jeph Loeb, Lee Malin, Geoffrey Mandel, Bear McCreary, Gregory Melton, Monica Owusu-Breen, Denise Anderson Poore, Corey Reeser, Greg Rementer, Nelson Ribeiro, Erin Shade, Arune Singh, Daniel Spilatro, Sonya Strich, Samantha Thomas, Aiyana Trotter, Joe Quesada, John Vertrees, Jed Whedon, Joss Whedon, Maurissa Tancharoen Whedon, Maileen Williams, Jeff Youngquist, Paul Zbyszewski and so many others including the amazing cast who was so patient with me, that it's not even funny.

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The truth is, I had the time of my life working on this book. For me, having that volume on my shelf will remind me of the amazing time that I had and the incredible people that I met in the process. I'm so tremendously grateful to have been a small part of everything, and can't wait to take all that I've learned from them into whatever the next adventure may bring.

Star Wars: Rebels - Comic-Con Trailer "A Look Ahead"

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You came in that thing? You're crazier than I thought.

The first true day of Comic-Con brought quite a few surprises, new trailers, new announcements. Out of the pack, what has excited me the most is a lengthy trailer for Star Wars: Rebels that has me with one shot (seen above).

Check out "A Look Ahead" which evokes more of the Star Wars look and feel than all of the previous trailers combined.

San Diego Comic-Con 2014... From Afar This Year

Today marks the first "preview" day of the annual San Diego Comic-Con, which runs through this weekend. And it also marks the first time in a long while that I won't be down in the midst of it all. Over the past few years, the convention has exploded to ridiculous proportions. Wall-to-wall people jockey for position on roads and sidewalks, stand in lines that make Disneyland look like a fast food drive-thru, and literally scratch and claw each other for in-demand exclusives that are near impossible to get because of the sheer amount of people.

On top of all that, SDCC has become the go-to venue for film, television, and other mainstream media to flaunt their latest wares. It's not entirely clear what a movie like Let's Be Cops has to do with comic books or any of the genres that are indigenous to conventions, but someone somewhere decided, "Hey - 13-year old and college-aged boys like comics and stuff. We've gotta get them aware of this movie!"

Which is what a lot of SDCC boils down to now: that screaming and shouting in a crowd of thousands to be noticed, to be heard, to get someone's attention just long enough to sell them a ticket and hope that they'll tell twenty or thirty of their friends. But that doesn't explain why Variety is touting Fifty Shades of Grey as a potential surprise for Comic-Con. The audience down there isn't exactly your target demographic, but hey -- hordes of people! Quick, scream and try to get everyone's attention!

The San Diego Comic-Con is about as much about comics, sci-fi and pop culture as Sundance is about independent films being screened for a niche audience. It's all become this giant-sized circus that amounts to a lot of chaos rather than the personal individualized feel that it used to have. Nothing makes introverted, socially awkward nerds more comfortable than being surrounded by masses of people that are all demanding your attention and putting you on the spot every five seconds. It's the equivalent of walking through the school halls in junior high on an inflated scale now. Surely the bubble will burst soon?

At any rate, I'm actually looking forward to observing this SDCC from a distance. In terms of the Con experience, it seems like all of the big reveals and breaks are immediately (if not before-hand) on the internet. I'm able to interact with my favorite artists and writers on Twitter and purchase prints from them online now, which gives me the same experience as meeting them at their booth in Artist's Alley and gives me the time to admire their work in detail without being jostled by those damn giant WB bags every fifteen seconds. I'm also not really one for parties unless it involves getting to go into a replica of Flynn's Arcade and getting to play classic arcade games (again... see earlier comments about social anxieties). Though I enjoyed the couple that I've been to over the years, it's not high up on the priority list.

Despite the cynicism and grimness of the above (sorry about that), I'll be covering the things that excite me coming out of San Diego this year here on SPT. All you have to do is check back here frequently or hit up the tag SDCC on SPT down at the bottom of this page to travel through the rabbit hole of SDCC goodness as it progresses.