Posts tagged #avengers

SPT2015: Catching Up on Marvel Awesomeness

I vividly remember right after the release of Batman Returns that I sat down with a small notebook and somehow figured out that if Batman was released in 1989, and Batman Returns was released in 1992, that it would roughly take them another three years to release another Batman film. I don't know where that logic came from, but 11-year-old me was convinced that it would be true and I started a countdown to 1995. Sure enough, 1995 rolled around and so did Batman Forever (for better or worse). The countdown was a little on the excruciating side, especially at that age when time seems to crawl at such a snail's pace and three years seemed like an eternity.

I can't imagine being my present-day 33-year-old self and going back in time to tell my younger self that there would come a time in 2015 that I'd watch Agents of S.H.I.E.L.D. on television, which immediately led into the release of Avengers: Age of Ultron, then I'd be in Montreal and Vancouver (to work on two Marvel projects) and be watching Daredevil on Netflix, and a month later would be watching Ant-Man in theaters. There's more on this in the upcoming Marvel's Agents of S.H.I.E.L.D. Season Two Declassified (/end plug) but I can't think of any other time where there has been new content for a property consistently for six-plus months like there has for Marvel this year. And it seems like this is just the beginning as Star Wars will be following a similar model - and you can bet other intellectual properties will be hot on their heels.

The storytelling possibilities have been fantastic. One lengthy and connected story told over multiple years, through multiple mediums, with multiple focuses. How great is that? It's the comic book page having come to life and sent to the mainstream. I've been enjoying it completely. And yes, I do have a personal bias and was a little spoiled in seeing both Avengers: Age of Ultron and Ant-Man at their respective premieres... one of the amazing perks of being the Kimmy Gibbler to the Marvel family. But I'm enjoying every minute of it. Even though Ant-Man is another origin story, it falls in the midst of an on-going story that it's able to weave in and out of seamlessly. Age of Ultron was similar, it didn't need to carry the burden of introducing all the main characters (though it did have to carry the burden of introducing a variety of other characters, which made it a super-dense flourless chocolate cake). 

Ant-Man was a completely different film. If Captain America: The Winter Soldier was a politically-charged action thriller, then Ant-Man is a comedy-charged heist film. Shades of Oceans Eleven, The Italian Job, even a little bit of Mission: Impossible are all in there. It's great how all of the live-action Marvel properties have a very different feel and tone and probably a good reason why they've all been so successful.

One thing is for certain, between a Marvel-fueled first half of the year and a Star Wars-fueled second half, both 11-year-old and 33-year-old Troy are loving every minute of it. And I don't even have to wait three years in between it all. 

Is Soft-Breathy Cover Song the New Dubstep?

"Guys, I'm feeling a little vulnerable. Sing me a song? But do it really slow and sad, k?"

"Guys, I'm feeling a little vulnerable. Sing me a song? But do it really slow and sad, k?"

With the new trailer for Guillermo Del Toro's Crimson Peak hitting the airwaves today, I think it's safe to say that there's a new running trend with trailers coming out of Hollywood. Gone are the days of the "Inception Tone." No longer will we wait for "the drop" and the dubstep to kick in for the closing montage...

Alas, the new era of trailer edit trends is here and it is "Soft Breathy Vocalist Cover Song."

Avengers: Age of Ultron seems to have started the trend, with its deeply melancholy rendition of "I've Got No Strings" that was used to great effect raising the stakes and the emotion for our band of heroes. But now it seems to have set the precedent for trailers to follow...

Crimson Peak is using a slow-soft melancholy version of Nick Cave's "Red Right Hand," San Andreas is using a slow-soft melancholy version of "California Dreaming," the Netflix series Bloodline is using a slow-soft breathy version of "Nothing Else Matters" and earlier this week the Hitman: Agent 47 trailer hit with a somewhat slowed down cover of "Voodoo Child."

Admittedly, it's nice that we've started to get away from the flash of imagery set to the deep LFE hit "BAAAAAAAAAAAAAAAAMMMMMM" tones, but it's interesting to see how this has quickly become a repeated editorial device of late. Have there been other trailers recently that have used the same device that I've missed?

Can I also make a few suggestions for forthcoming trailers? How about this version of Dio's "Holy Diver" for the next Terminator trailer? Or what about a soft-breathy version of "Eye of the Tiger" for the upcoming Rocky spin-off film Creed? Or maybe this rendition of "Crazy in Love" for a Charlie's Angels reboot film?

UPDATE: Friend Adam Vadnais pointed out to me that a soft-ballad version of "Crazy in Love" was used in the 50 Shades of Grey trailer. So I guess I wasn't that far off?

Posted on February 13, 2015 and filed under Movies.

Bits & Bobs - 5th Edition

Bits & Bobs collects some of the cool things around the interwebs that I think are noteworthy and worth your time but don't necessarily fill up a full blog post or news item. On with the show...

BACK TO THE PILOT TRAINING GROUND

Quick, get in close enough to take a picture of it for the recon mission -- without crashing into it. It's like landing a plane on the aircraft carrier in the NES Top Gun.

Remember the countless hours spent in a DOS environment trying to get X-Wing up and running on your Dad's work PC? I do, I must have spent hours upon hours trying to get all seven of those discs to install only to find that the sound card he had wasn't compatible and I'd have to play without sound. Regardless, so many days and nights were spent behind the controls of an X-Wing fighter in LucasArts' X-Wing simulator. Later on, they released a CD-ROM version for the Mac that I ate up with a spoon, but unfortunately it hasn't worked on any of my computers (along with the fantastic Rebel Assault games) for years. Enter GOG.com who swiped up the rights to X-Wing, TIE Fighter, Sam & Max Hit the Road, and The Secret of Monkey Island and are offering them through their DRM-free download service. Good news right? Bad news is that it's Windows only for X-Wing and TIE Fighter for the time being. Check it out here!

GET READY FOR PHASE THREE FEATURING...

Unless you somehow completely managed to avoid the internet all day yesterday (or any of your friends that are vaguely enthusiasts of popular culture), you probably already know that Marvel held a big Apple-like event at the El Capitan Theater in Hollywood, CA yesterday to announce their movie plans through the year 2019. The biggest surprises of the announcement were the revelations that a Captain Marvel film (based on the most recent and awesome Carol Danvers version of the character) is on the way, and also that the next Avengers film will be a big two-parter revolving around Thanos and his killer hand modeling. And the whole thing is going to kick off with a new Cap movie loosely inspired by the Civil War event. So who wants to update that intense info-graphic of the tentpole movie slate for the next ten years?

TERMINATOR: PARENTHOOD

This week's Entertainment Weekly has a cover story on the upcoming Terminator reboot/reimagining, Terminator: Genisys (which I still can't spell the subtitle of correctly without looking up). In it, they reveal how this new film fits into the continuity and how a new incarnation of Sarah Connor has been raised by... a Cyberdyne model 101? According to the article: "Sarah Connor isn’t the innocent she was when Linda Hamilton first sported feathered hair and acid-washed jeans in the role. Nor is she Hamilton’s steely zero body-fat warrior in 1991’s T2. Rather, the mother of humanity’s messiah was orphaned by a Terminator at age 9. Since then, she’s been raised by (brace yourself) Schwarzenegger’s Terminator—an older T-800 she calls “Pops”—who is programmed to guard rather than to kill. As a result, Sarah is a highly trained antisocial recluse who’s great with a sniper rifle but not so skilled at the nuances of human emotion." Interesting. Apparently it has James Cameron's seal of approval, but we'll see how it all shakes out next July.